Category Archives: Review

I Feel Pretty is Hideously Self-Absorbed

The idea that a woman in modern society can feel confident about her appearance and capable of success is apparently a foreign concept to the creators of Amy Schumer’s latest comedy film, I Feel Pretty. The film has faced some pretty harsh backlash from the release of its first trailer and I have to say, after watching the film, that it is absolutely deserved. This is a film which attempts to convince women to feel better about themselves and what they look like, but it doesn’t even believe in its own message.

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Dare You Not to Watch Blumhouse’s Truth or Dare

I hope you’re scared by bad CGI, because this is about as good as scares get with Truth or Dare

When I first saw the trailer for Blumhouse’s Truth or Dare (2018), I was excited at the prospect of a horror film with a premise so laughably dumb that some sick enjoyment could be taken from it. Unfortunately, Truth or Dare is yet another embarrassing, pandering, and tone-deaf horror flick, suffering from mediocre characters, inconsistent logic, and a general lack of originality.

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A Quiet Place Will Leave You Speechless

A Quiet Place is the type of movie you see in silence through the silhouette of your fingers as you cower in your seat. From the very first emotionally charged opening scene of director John Krasinski’s first foray into the horror genre, audiences will feel invested in the story of the Abbott family. In this post-apocalyptic world, Lee Abbott – played by Krasinksi – his wife, Evelyn Abbott – played by Emily Blunt – and their three children attempt to survive by living as quietly and unobtrusively as they can. Unnamed and deathly monsters lie in wait for the next loud sound to draw them out of hiding.

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Does Sam Raimi’s Spider-Man Still Hold On To Its Web?

Toby Maguire as the titular web-slinger

Among fans of superhero movies, few films garner as much adoration as Sam Raimi’s Spider-Man trilogy. Even in a decade where theaters and box-offices alike have been dominated by a rejuvenated interest in superhero stories, you’d be hard-pressed to find someone that doesn’t hold the original Spider-Man movies in the highest esteem, often regarded as second only to Christopher Nolan’s The Dark Knight (2008). With Coral Gables Art Cinema holding a one night only after-hours screening of Spider-Man (2002) later this month, I had to ask: how does Sam Raimi’s foray through the world of superheroes hold up nearly twenty years later?

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