Iranian director Ali Abbasi delivers an intense tale about the treatment of outsiders and the quest for self-acceptance that moves and perplexes. Border is the director’s second feature work, who wrote the film alongside Isabella Eklof and John Ajvide Linqvist. The film’s screening at the 2018 Cannes Film Festival earned it the Un Certain Regard award and it has been selected as the Swedish entry for Best Foreign Language Film at the upcoming Academy Awards.
Due to the history of the industry, it’s rare for a great film of classic Hollywood to be directed by a woman. Thanks to our friends at Miami Beach Cinematheque, a screening of Ida Lupino’s The Hitch-Hiker (1953) is just around the corner. As one of the few true classic noir films, The Hitch-Hiker provides a quintessential noir experience while still having a different story to tell.
This is the second in a two-part exploration of the Disney-Fox deal. You can read part one here.
Though the Disney Company’s $71.3 billion bid to acquire 21st Century Fox has been met by pop-culture fans with rapturous glee, the threat of Disney establishing a modern monopoly on the entertainment industry may become a reality in this deal. There’s a logic to Disney purchasing the company that owns major stock in the streaming market plus intellectual properties closely tied to them, such as James Cameron’s Avatar (2009). The deal, however, will lead to Disney owning an estimated 30% of the film industry. Many may not mind a company like Disney owning so much stake in one industry, but there’s major concern when one considers the mediocre quality of the art Disney has produced in the last decade.
This is the first in a two-part exploration of the Disney-Fox deal. Part two can be found here.
In July of 2018, the Walt Disney Company acquired 21st Century Fox, as well as its many assets in film, television, and streaming services, for a reported $71.3 billion. This should be no surprise, as Disney has been a face for cold American corporatism for decades. The squeaky clean façade Disney desperately upholds in the face of their relentless pursuit of capital has made them an easy target for both harmless lampooning and legitimate criticism. Unfortunately, conversations about media are swamped by a nostalgia-fueled pop-culture, further amplified by social media echo chambers. Whereas many fans will worship Disney’s purchase in hopes of the Fox-owned X-Men getting name dropped in Avengers 7: The Quest for More Money (2026), this acquisition should instead be met with grave concern about the effect a modern monopoly may have on the quality of future art across the entertainment industry.
The January 6, 2019 deadline for the Panther Screenplay Competition is closer than you think! Thanks to our sponsor the Coral Gables Art Cinema, the winning screenplay of the competition will be awarded a 1-year membership to the CGAC’s After-Hours Program! To be considered eligible, screenplay submissions must be delivered no later than 11:59 PM on the day of the deadline, which is January 6, the Sunday before the Spring semester begins. Submit your screenplay in either PDF format to email@example.com or as a print copy to Dr. Strycharski’s mailbox in the English Department on the fourth floor of DM (Deuxieme Mansion MMC).
Join FIU film studies director Andrew Strycharski at Miami Beach Cinematheque tonight (11/14) at 7:00 PM for a screening of the classic film noir The Killers (1946). Andrew Strycharski’s introductory comments will focus on film noir story structure, the shock of the present and piecing together the past, and the experience of European (and especially Jewish) immigrants and exiles in the aftermath of World War II.