Iranian director Ali Abbasi delivers an intense tale about the treatment of outsiders and the quest for self-acceptance that moves and perplexes. Border is the director’s second feature work, who wrote the film alongside Isabella Eklof and John Ajvide Linqvist. The film’s screening at the 2018 Cannes Film Festival earned it the Un Certain Regard award and it has been selected as the Swedish entry for Best Foreign Language Film at the upcoming Academy Awards.
The January 6, 2019 deadline for the Panther Screenplay Competition is closer than you think! Thanks to our sponsor the Coral Gables Art Cinema, the winning screenplay of the competition will be awarded a 1-year membership to the CGAC’s After-Hours Program! To be considered eligible, screenplay submissions must be delivered no later than 11:59 PM on the day of the deadline, which is January 6, the Sunday before the Spring semester begins. Submit your screenplay in either PDF format to firstname.lastname@example.org or as a print copy to Dr. Strycharski’s mailbox in the English Department on the fourth floor of DM (Deuxieme Mansion MMC).
For its 20th anniversary, superb animator Satoshi Kon’s Perfect Blue is getting a nationwide theatre release. Luckily for fans of Kon’s chilling psychological thriller, the Coral Gables Art Cinema will be hosting a screening of the film as part of their After Hours program this Saturday, October 6th, at 11:30pm. Kon’s directorial debut showcases his skillful animation style and penchant for stories with dreamlike qualities, and in Perfect Blue’s case, we get a nightmarish glimpse into a woman stripped of her personhood.
Building on the success of last week’s events, the Panther Film Festival will be coordinating more workshops and mixers, including a second, “roll-up-your-sleeves” workshop next Wednesday (September 26) from 3:00 to 5:00 PM, in The Center for Excellence in Writing (GL 125).
Screenwriters or FIU filmmakers are encouraged to bring any screenplay or story idea they have and get constructive feedback on their work. Writing Center Coordinator Charles Donate and local filmmaker Manuel Delgadillo will be expanding on the insightful foundational elements of screenwriting they presented in their first workshop last Tuesday. Whether it’s a developed screenplay or simply an idea for a future short film, Charles, Manny, and other screenwriters will be there to help. Future screenwriting workshops, will focus on specific skills such as developing dynamic characters and writing interesting dialogue.
Welcome back, Panthers! We, the Film Initiative: Underground, are excited to begin this new year and continue to grow on the success that last year’s student filmmaking community saw.
For those who’re interested in learning more about us and what we do, the Film Initiative is FIU’s premier film club and the hub for FIU’s student filmmakers. The Film Initiative coordinates film centered-activities for both movie lovers and filmmakers alike.
This year we’re back with a fresh new line-up of films. As always, our screenings are free and open to all FIU students, with free snacks and post-film discussions. They will be held Thursdays on the MMC campus (Room and Time TBA), but we are always looking to make our screenings more dynamic and exciting! This year we will introduce a new aspect to our weekly meetings that may have you go home with a new Blu-Ray copy of the movie presented that night. So tighten up those Joker impressions and get those Halloween costumes ready! This semester, you can expect the following films at our screenings:
On April 3, 1968, the enduring classic 2001: A Space Odyssey was released and now, fifty years later, film enthusiasts will have an extraordinary opportunity to see the picture in all of its brilliance.
Almost a year ago, filmmaker Christopher Nolan (Memento, Inception, Interstellar) released his war drama Dunkirk in 70mm around the country to critical acclaim and commercial success. It was around this time that he learned of a film reel of 2001 that had been made from the original camera negative but couldn’t be reprinted due to lack of funding. Nolan, empowered by the success of his 70mm screenings, went to Warner Bros. with his idea of making new prints of A Space Odyssey and releasing them, in the same way that Dunkirk was exhibited. This year at Cannes, Nolan debuted the new print of the film, which he makes clear is not a restoration — no digital work has been done — but rather a reprint created through an entirely photochemical process from reels that Warner Bros. developed in the late 90s.