Janurary 29th marked the Phantom Thread – Fashion and Film discussion panel, hosted through a collaboration between the Coral Gables Art Cinema and Books & Books, moderated by Nat Chediak, the Director of Programming of the Coral Gables Art Cinema, and featuring special guest Christian Garcia, one of the last true bespoke tailors. Much like the Monsters in the Shape of Water discussion that was hosted earlier this month, the panel was packed, with many guests standing to join in on the conversation on the latest Paul Thomas Anderson film, Phantom Thread (2017). Throughout our discussion, our panel covered topics such as some of the interesting conditions that brought the film to fruition, the themes of the movie, as well as the real-world fashion industry and the experiences Christian Garcia has had throughout his fashion career.
The opening titles of Paul Thomas Anderson’s latest film, Phantom Thread, enthrall the viewer into a tale of twisted love and obsessive passions through the delicacy and precision of the musical score – written by former guitarist of the band Radiohead, Johnny Greenwood. In Daniel Day Lewis’ final performance before retirement, he plays Reynolds Woodcook, a fashion designer consumed by his work. He dresses heiresses and princesses in his elegant and impressive London townhouse alongside his loyal sister Cyril, played by Leslie Manville, and together they preside over their team with fanatical efficiency. He is a man too preoccupied with his own work to worry about the trivial feelings of others, like the women he sees before meeting Alma.
If a self-proclaimed lover of the arts doesn’t acknowledge how pretentious the world of art can be, they just might be a total hack. As the winner of this year’s Palme d’Or at Cannes Film Festival, the event’s highest honor, Ruben Ӧstlund’s The Square is a dissection of the human conscience, served with a dose of mockery directed at the pompous attitudes of the artistic world.
The third installment of Michael Winterbottom’s “Trip” series, The Trip to Spain is pleasant and genuinely funny, with darker undertones than its predecessors.