In our most recent poll, we asked you which Horror movie remake is the ghastliest revival of its original. While each contender had the misfortune of being brought back to life, three stood out as the gravest of them all.
According to your votes, these shaky horror remakes are so shameful they make Frankenstein’s monster look lively.
When it was announced we’d receive a new entry in the Halloween franchise on behalf of Blumhouse Productions, I was highly skeptical. While many were excited, knowing that Blumhouse is responsible for the phenomenal films Split (2016) and Get Out (2017), I was too aware they were equally responsible for movies of pitiful quality such as Sinister (2012), Unfriended (2015), and Truth or Dare (2018). Being a massive fan of John Carpenter’s Halloween (1978), I entered the screening of the latest Halloween film with low expectations. Leaving the theater, I was both impressed by the quality of the latest in a long line of sequels, and equally feeling the sting of knowing how close Blumhouse’s Halloween (2018) came to matching if not surpassing the quality of the original film.
In the spirit of Halloween, our film club, Film Initiative Underground, and the English Honor Society, Sigma Tau Delta, are teaming up to bring a free screening of David Fincher’s heart pumping crime-thriller, Zodiac (2007), to FIU’s MMC Campus. Based on the real-life murders of the Zodiac Killer, Zodiac is a brilliant and meticulously assembled story about obsession, and features great performances by a talented cast.
October’s arrival heralds the annual release of those corny, embarrassingly bad horror flicks we all love to hate. What’s worse is when these frightening flops are nothing more than hack-slash re-hashings of horror classics. Which of these hauntingly awful horror reboots is the worst? You decide! Continue reading Poll: Horror reboots so bad, your skin will crawl!→
For its 20th anniversary, superb animator Satoshi Kon’s Perfect Blue is getting a nationwide theatre release. Luckily for fans of Kon’s chilling psychological thriller, the Coral Gables Art Cinema will be hosting a screening of the film as part of their After Hours program this Saturday, October 6th, at 11:30pm. Kon’s directorial debut showcases his skillful animation style and penchant for stories with dreamlike qualities, and in Perfect Blue’s case, we get a nightmarish glimpse into a woman stripped of her personhood.
It’s easy to forget the power a visual medium like film can have when an audience is presented with little story, but packs in interesting visuals. Our friends at Coral Gables Art Cinema are screening an excellent example of such a movie in showing Tom Tykwer’s German thriller film Run Lola Run (1998). Run Lola Run is a work that, while clearly a product of the MTV era, is visually stylish in all the right ways, delivering a heart-racing thriller through its fast-paced editing and flashy presentation.
When I first saw the trailer for Blumhouse’s Truth or Dare (2018), I was excited at the prospect of a horror film with a premise so laughably dumb that some sick enjoyment could be taken from it. Unfortunately, Truth or Dare is yet another embarrassing, pandering, and tone-deaf horror flick, suffering from mediocre characters, inconsistent logic, and a general lack of originality.