It’s no secret that one of Hollywood’s favorite things to do is adapt a critically acclaimed piece of young adult literature onto the big screen. Based on the novel Simon vs. the Homo Sapiens Agenda by Becky Albertalli, Love, Simon follows high school senior Simon Spier (Nick Robinson) as he wrestles with living out a typical teenage life and coming out to his family and friends. At first glance, Love, Simon appears to be next in line in an assembly line of young adult novel adaptations that are doomed for mediocrity, but it very quickly becomes apparent that there’s some depth to the titular lead. The film is often funny and heartfelt, with some truly touching moments that evoke some feel-good Hughes-ian vibes for more contemporary audiences.
With Valentine’s Day just around the corner, its about that time of year to start stocking up on flowers, stuffed animals, and chocolate hearts. Which Romantic film gets you in the mood for love?
Janurary 29th marked the Phantom Thread – Fashion and Film discussion panel, hosted through a collaboration between the Coral Gables Art Cinema and Books & Books, moderated by Nat Chediak, the Director of Programming of the Coral Gables Art Cinema, and featuring special guest Christian Garcia, one of the last true bespoke tailors. Much like the Monsters in the Shape of Water discussion that was hosted earlier this month, the panel was packed, with many guests standing to join in on the conversation on the latest Paul Thomas Anderson film, Phantom Thread (2017). Throughout our discussion, our panel covered topics such as some of the interesting conditions that brought the film to fruition, the themes of the movie, as well as the real-world fashion industry and the experiences Christian Garcia has had throughout his fashion career.
The opening titles of Paul Thomas Anderson’s latest film, Phantom Thread, enthrall the viewer into a tale of twisted love and obsessive passions through the delicacy and precision of the musical score – written by former guitarist of the band Radiohead, Johnny Greenwood. In Daniel Day Lewis’ final performance before retirement, he plays Reynolds Woodcook, a fashion designer consumed by his work. He dresses heiresses and princesses in his elegant and impressive London townhouse alongside his loyal sister Cyril, played by Leslie Manville, and together they preside over their team with fanatical efficiency. He is a man too preoccupied with his own work to worry about the trivial feelings of others, like the women he sees before meeting Alma.