Building on the success of last week’s events, the Panther Film Festival will be coordinating more workshops and mixers, including a second, “roll-up-your-sleeves” workshop next Wednesday (September 26) from 3:00 to 5:00 PM, in The Center for Excellence in Writing (GL 125).
Screenwriters or FIU filmmakers are encouraged to bring any screenplay or story idea they have and get constructive feedback on their work. Writing Center Coordinator Charles Donate and local filmmaker Manuel Delgadillo will be expanding on the insightful foundational elements of screenwriting they presented in their first workshop last Tuesday. Whether it’s a developed screenplay or simply an idea for a future short film, Charles, Manny, and other screenwriters will be there to help. Future screenwriting workshops, will focus on specific skills such as developing dynamic characters and writing interesting dialogue.
This Thursday, September 20, FIU teams up with the Historic Hampton House for a special screening of Julie Dash’s Daughters of the Dust, with discussion led by Dr. Hilary Jones of the History and Africa & African Diaspora Studies programs at FIU. Part of the Unity Boulevard Film Series at the Hampton House, this screening is free to students with ID, with $5 advanced tickets for others. We asked Dr. Jones about the screening, the series, and the relationship between film and historical research.
It’s easy to forget the power a visual medium like film can have when an audience is presented with little story, but packs in interesting visuals. Our friends at Coral Gables Art Cinema are screening an excellent example of such a movie in showing Tom Tykwer’s German thriller film Run Lola Run (1998). Run Lola Run is a work that, while clearly a product of the MTV era, is visually stylish in all the right ways, delivering a heart-racing thriller through its fast-paced editing and flashy presentation.
We are thrilled to announce the return of the steadily growing Panther Film Festival! Building on last year’s structure, this school year will feature a series of workshops and competitions to bring student filmmakers of all levels on board, culminating in the April festival screening.
Kick start the year with us next Thursday, September 13th at the first Panther Film Festival Meet & Greet of the semester!
Now that we’re all back from vacation I can’t help but think of the phrase “misery loves company.” The sweet suffering that is back to back classes can only be soothed by watching the onscreen antics of our favorite characters. Which of the films below remind you that school isn’t that bad of a place to be?
A film that deserves its legendary status, few praises can be poured on Roman Polanksi’s Chinatown (1974) that haven’t been said before. Thanks to some upcoming screenings arranged by our friends at the Coral Gables Art Cinema, I got the chance to sit down and watch Chinatown again, and I can say with confidence that I enjoyed it just as much as I did the first time, if not more. Chinatown is a superb example of the best of a genre, and a story that should be fully enjoyed on the big screen by fans of noir mysteries.
When reports surfaced saying that the production company Focus Features was cancelling screenings of The Little Stranger, it would have been safe to bet that the haunted-house horror was dead on arrival. This, combined with its avoidance of the film festival circuit, made for a flaming red flag. But this, if anything, was an overreaction, especially when its only competition in the box-office is the pungent Happytime Murders. Based on a 2009 gothic novel of the same name,The Little Stranger is a slow-contorting, lackluster end to a summer booming with breakneck blockbusters.