On April 3, 1968, the enduring classic 2001: A Space Odyssey was released and now, fifty years later, film enthusiasts will have an extraordinary opportunity to see the picture in all of its brilliance.
Almost a year ago, filmmaker Christopher Nolan (Memento, Inception, Interstellar) released his war drama Dunkirk in 70mm around the country to critical acclaim and commercial success. It was around this time that he learned of a film reel of 2001 that had been made from the original camera negative but couldn’t be reprinted due to lack of funding. Nolan, empowered by the success of his 70mm screenings, went to Warner Bros. with his idea of making new prints of A Space Odyssey and releasing them, in the same way that Dunkirk was exhibited. This year at Cannes, Nolan debuted the new print of the film, which he makes clear is not a restoration — no digital work has been done — but rather a reprint created through an entirely photochemical process from reels that Warner Bros. developed in the late 90s.
The Star Wars universe is immense. Following Disney’s acquisition of the property some years ago, there was a hard reboot on the expanded universe which saw much of what was once considered canon being rebranded as “Legends”. Since then, there have been several Disney-sanctioned pieces of media which repaint the history and future of the main Skywalker storyline. Ron Howard’s Solo, which was plagued by reshoots and bad word-of-mouth, is the newest installment in the Disney-era of Star Wars, shedding some light on the backstory of a certain scruffy-looking nerfherder.
The tragedy of comedy films is that very few hold up over the years. In many cases, a comedy can fall into the abyss of awkward silences, and stilted, forced laughs. Thankfully, such a fate hasn’t come over Edgar Wright’s Hot Fuzz (2007). With Coral Gables Art Cinema screening the film later this month, now was a good time for me to experience the film. I can comfortably say that as the second entry in Edgar Wright and Simon Pegg’s Three Flavors Cornetto trilogy, Hot Fuzz sits comfortably between Shaun of the Dead (2004) and The World’s End (2013) as one of the great comedy films produced in the last few years.
“I’m here to talk to you about the Avenger Initiative.”
Ten years have passed since Nick Fury uttered those words to Tony Stark in 2008’s Iron Man, the film that kicked off the Marvel Cinematic Universe. What felt like nothing more than a tease of an unlikely promise eventually came to fruition four years later in what was, at that point, one of the most daring ensemble features: The Avengers. Since then, Marvel Studios never looked back, expanding the world that once featured a mere six heroes to a galaxy that features over 30. With Avengers: Infinity War being pegged as the final chapter in the MCU as fans currently know it, audiences knew that the first of this two-parter, one which sees the long-anticipated Thanos (Josh Brolin) finally make his way to earth, would come at a high cost.
Pop the champagne its time for a recap of the Panther Film Festival. The crowd swarmed GC140 waiting patiently for the doors to open. Many were excited to see the work produced by their fellow peers and they were not disappointed. For those of you who missed out, here’s a few of the shorts that won awards!
The idea that a woman in modern society can feel confident about her appearance and capable of success is apparently a foreign concept to the creators of Amy Schumer’s latest comedy film, I Feel Pretty. The film has faced some pretty harsh backlash from the release of its first trailer and I have to say, after watching the film, that it is absolutely deserved. This is a film which attempts to convince women to feel better about themselves and what they look like, but it doesn’t even believe in its own message.